
Mother Goddess figurine. Hacılar; 5500 B.C. Museum of Anatolian Civilizations, Ankara, TR; picture from Akurgal,
Ekrem; Anadolu Kültür Tarihi, TÜBİTAK Popüler Bilim Kitapları 67,
Ankara, TR, July 2000, p. 7. |

EROTIC IMAGERY ?
“The sculpture at Çatal Hüyük depicted the bonds
between the mother and the untamed world through the juxtaposition of women
and leopards, in which the birth-giving mother cradles the feline cubs or sits
beside or on them. The prolific Neolithic art included erotic imagery of
animal heads emerging from the vulva between the outspread legs of faceless
human bodies with bulbous bellies and full breasts.
“For Hodder the painting and sculpture at Çatal
Hüyük had direct parallels in the Iron Gate shrine of Lepenski Vir set high on
the cliff overlooking the Danube River. Carbon 14 dating indicates that these
sites in Asia and Europe were contemporary. The symbolism is ubiquitous from
Palestine to Europe in the millenniums preceding the Black Sea flood.”
–Ryan,
William & Walter Pitman, Noah’s Flood, Touchstone, N.Y., 1998, p. 183.
amay ana
[
Dünya Kadınlar Günü ]
[
Woyengi (the Mother) ]
gök : bitik
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